獠牙与骨头
2024.05.25-2024.07.14
“Since 2008, I have been exploring a new technique that highlights linear expressiveness, and I have done multiple series using this method. These paintings are mostly outlined with red lines, with blue ones as occasional trials. These lines are attached to masses that have texture effects; such masses serve as silhouette images that diminish the sense of volume.
At the beginning of this year, I changed my techniques back to those I used in 1995, including glazing and scumbling, focusing on the light and shadow masses. With this shift, I temporarily bid farewell to the planar texture and abstract composition that I have been sticking to previously. I now probably pay more attention to the interesting forms and virtual reality. Of course, I have given up neither controlling the texture of colors and materials nor enriching the color layers, both of which were parts of my previous attempts.”
Tang Hui, 2024
2008年以来我都在摸索一种全新的绘画技巧，在画面中更多突出了线性的表现力，用这种表现方法完成了多个系列的作品。画中用红色的线来勾勒，也尝试过蓝色的线，这些线条都附着在经过处理有肌理效果的块面上，而这样的块面是弱化体积的剪影图像。
今年年初我在绘画技法上有了一些改变，我又开始回归到1995年那会所使用的一些绘画技法，其中包括透明画法、叠加画法等，重点是我开始在画面中强调光影块面的处理，从这一点上看我暂时离开了前一阶段一直在坚守的平面质感与抽象构成为主体的绘画效果，我似乎更看重画面中形态的趣味性与虚拟的真实感，当然我没有放弃前一阶段对颜色材料质感把控与色彩层次的丰富性。
文/唐晖，2024年